Tuesday, November 15, 2011

The Origin of the Orders: Egypt


The origin and meaning of the classical columnar orders has been debated for centuries, with quite some fanciful ideas tossed about to explain how the Doric, Ionic and Corinthian orders came to be.

This is the first in a series of posts that will re-examine the elements and origins of the classical orders and posit new interpretations of their meanings. But before we look at the classical orders, we should first examine the sacred architecture of the ancient Egyptians, who after all invented the column (not to mention architecture itself), and who were also the source and wellspring for high learning in the Classical world.



The first historical architect (and also engineer and physician) is Imhotep ("he who comes in peace"), one of the greatest intellects ever to walk the earth. Imhotep (2635-2595 B.C.) served as chancellor to the Third Dynasty Pharaoh Djozer and was high priest of the sun god Ra at On (better known by its Greek name of Heliopsis, or "city of the sun"). He was also a poet and philosopher (of course), and was one of the few non-Pharaohs in the entire history of Egypt ever to be depicted in stone. Eventually, 1400 years after his death, he was deified.


In traditional Egyptology (though the simple existence of the Osirion at Abydos, as well as the advanced erosion of the Great Sphinx and Valley Temples at Giza should give one great pause in blindly accepting the conventional, increasingly untenable chronology), Imhotep is credited with the first systematic use of dressed stone construction, embodied in the design and construction of Djozer's stepped pyramid and temple complex at Saqqara from 2630 to 2611 BCE (above), and the invention of the column is often attributed to him as well. An altogether astounding personage.


The concept of the column is ultimately traceable to the Djed pillar, a truly ancient phallic fertility symbol depicting the base of the spine of Osiris (and also that of a bull, or Taurus). The ceremony of the raising of the Djed (above) was a festival of fertility and renewal (Djedu was the Egyptian name for Busiris, a center of cult worship for the Pharaoh, and many pharaohs, Djozer among them, bore the title of Djed among their honorifics).

It is also, I suspect, the origin of the phrase "raising the dead" and the traditional English-language wordplay of confounding death with ejaculation. For example, that learned and leering Elizabethan thug, Shakespeare, was quite fond of the phrase "I die in your lap," which appears both in Hamlet and Much Ado about Nothing ("nothing" also referred to a woman's sexual organs). If you'll allow me one more digression, this use of double entendre, hominyms, and multiple meanings in language and literature was a major element of occult and esoteric knowledge. Philology and etymology are rife with such codes; to give but one well-known example, right and left: right comes from the root reg- and means good, straight, righteous and wise, and it is also the opposite of left. Then there are write and rite, right? Left derives from the Old English lyft, foolish or weak, and ultimately from OE slinken, to crawl (like a snake). Left in German is links and in Latin it is sinister, a modern English synonym for evil, and finally left is the past participle of to leave.

Now that we've dealt with how Shakespeare entertained the groundlings, let us return to consider the surprise of surprises: columns are ultimately phallic symbols. (Who ever would have guessed?) To underscore the symbolism of fertility, even the earliest columns were depicted with abstracted vegetal motifs. Though much of the architecture of Saqqara is remarkably modern in its abstract geometry and volumetric lucidity, its columns are among the few elements that incorporate recognizable decoration, all of it vegetal in inspiration.


Actual Djed columns appear as ornamental motifs at Saqqara (above, repeated as a frieze), but others, such as the magnificent colonnade (below, and initial photo), are quite abstract, while the elongated engaged columns decorating the false shrines of the so-called Jubilee (Heb Sed) Court (below, bottom) feature exaggerated lotus-flower capitals.



The convex fluting of the majestic colonnade at Saqqara, one of the most beautiful spaces in all of Egypt (initial photo and first photo above), represents bundled papyrus stalks, and in Egyptian cosmology, the papyrus, along with the lotus flower that gives its form to so many Egyptian capitals, was found at the primordial mound at the beginning of time. Papyrus stalks held up the goddess Nut, the sky, just as the lotus flower opened to give birth to the sun. The papyrus also symbolized Lower Egypt, while the lotus represented Upper Egypt; thus the two main symbols incorporated into the columns that held up the roof or sky of Egyptian temples also symbolically united the Two Lands of Egypt itself and encapsulated the origins of the universe. As above, so below.


But we should not stop there. The papyrus is also the source of paper and thus also a cipher for knowledge and for civilization itself, the pillar of consciousness which holds up the vault of Heaven and shelters man (above, Nut the sky goddess arching over her lover Geb, the earth god; note the Djed pillar at left, found just beneath an Ankh). Below, a bas-relief of Isis at far right, bearing a papyrus staff, indicating her divine stature, from Kom-Ombo.



In turn, the sacred lotus, or the blue water lily (Nymphaea Caerulea, below), also held feminine attributes and was linked to fertility, as well as the sun, rebirth and resurrection. It is also intimately related to the goddess Isis, wife and sister of Osiris and daughter of Geb and Nut.

Its flower has also recently been recognized to contain mild psychoactive properties when steeped or eaten, offering episodes of mildly heightened awareness and introspection, and a new generation of Egyptian researchers posit that the lotus flower, known in ancient Egypt for its healing properties, may also have been used in divination rituals, much like the well-known sacred hallucinogens of native North and South American cultures. Though this thesis may shock those who might reflexively attribute our own society's condemnation of psychoactive substances to other cultures, the ancients had no such scruples.

(Below, the great hall of Amun-Re at the temple complex of Karnak, ancient Thebes.)


The column is an Egyptian invention and so must embody the unity of opposites that is the basis of all Egyptian thought, just as it must also incarnate Egyptian cosmology. The male Djed is wed to the female vegetal symbols, just as Geb is wed with Nut and Osiris is wed with Isis. Papyrus, symbol of divinity, logic and civilization itself, is wed to the spiritual and the mystical, embodied by the sacred lotus.

As above, so below.

Coming soon, the Doric order.

2 comments:

  1. I always enjoy both the informative side of your post & the beauty of the images you select to visually narrate the point. Very interesting indeed.

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  2. I did not know that I could learn so much in such a short time. You want to a great deal of effort to put all that information together. I surely do appreciate it. Ann

    ReplyDelete